Nothing More – TURN IT UP LIKE (Stand In The Fire) | Track Review

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It has been roughly 5 years since the San Antonio rock band Nothing More released their 3rd studio album, The Stories We Tell Ourselves. And, for us fans of the band, the crave for new music has been itching us for a while. Our prays have been answered, however, as the band has released their first single off an upcoming album, along with a music video to coincide. The track is titled “TURN IT UP LIKE (Stand In The Fire)”, and it is one hell of a track to roar back into the airwaves.

The track begins with a beautiful buildup lasting just under a minute that includes heavily distorted chords and Jonny Hawkins’ signature soaring vocals. At the climax, heavy distorted guitars and Hawkins’ shouts combine to produce a sound that makes you want to get up and move. While angry and confident, the vocals convey a frantic and desperate state of mind that match the lyrical content. Anger over how the internet and media have affected everyone negatively is what this song is all about. I’m sure we can all relate somehow with the lines “All my friends are dead, they all got f***** by the internet” and “Same s***, new day”. Things get really interesting and intense during the buildup to the bridge. Nothing More for the first time have utilized their legendary Scorpion Tail instrument in a studio track. For those that don’t know, the Scorpion Tail is a 400-pound, 14 ft tall device created by the band’s bassist, Daniel Oliver. It is connected to the band’s instruments and is able to apply effects on incoming sounds such as notes and vocals in real time. They carry this thing to every show and incorporate it into their live set. Now for the first time, it has been used on a studio track, and it sounds great. While the device is for sure more impressive in a live setting, the use of non-traditional means to get unique sounds is something I would love to see more in the music industry. Moving on to the outro, it is yet another lovely breakdown slowing the beat down and sending you off with more strong screams from Hawkins. A very dynamic song, going up and down throughout the track while still staying structured. The chorus is catchy, making for a strong lead single while remaining heavy enough to still have some edge. Overall, I enjoyed this release and cannot wait for more music from Nothing More.

7/10

Descending – Tool | Lyric Interpretation

Introduction:

Descending is a song that many Tool fans, including myself, hold dear. With the last new music released by Tool being 2006’s 10,000 Days, fans of the band have been starving for new material. It would not be until May 5th, 2019, that new songs in their entirety would be revealed at Rockville. However, before that, Tool would occasionally play a short piece of new material when performing. That new material would become to be known as “Descending” and was only a short portion of the eventual twelve minute track. No lyrics were ever sung by lead singer and songwriter Maynard James Keenan and we now know this is because their were no lyrics even written yet, as Keenan revealed that all the lyrics for their upcoming album were written in the months preceding May 2019. Now that the full track has been “released”, (not officially, as they’ve only performed the song live) lyrics and all, I’ve decided to analysis and then give my interpretation of Keenan’s words.

MJK’s lyrics are known for their depth and complexity, and “Descending” is no different. As Keenan is my personal favorite singer and songwriter, I consider myself familiar with a majority of his work. Be it in Tool, A Perfect Circle, or Puscifer, the singer never fails to explore complex issues and generally makes every line carry weight. Throughout his music, he commonly explores two topics: his personal relationships to those around him and his thoughts/interpretations of grand ideas, including society’s faults, humanity’s purpose, and even suggestions for a better lifestyle. The lyrics of “Descending” fall into the second category, as the song is a call for humanity to stray from the path it seems to be taking. The “path” is humanity’s destruction at our own hands. No matter how you feel, it is undeniable that tensions across the world seem to be at an all time high. Especially in the US where the band and I are from. This tension has lead to a lost of identity, throwing our future into uncertainty. We as a species like to boast about our progress, and for the sake of not being too pessimistic, it must be said that we have made a lot of genuine progress towards the goal of a better world. However, as shown by the events of the past decade, it is uncertain if humanity can actually achieve a better world due to our nature. Despite progress providing many benefits, due to our reluctance to outgrow our primal feelings of hate and greed, those same benefits we once enjoyed have now turned into disadvantages. For example, the development of modern weapons were once hailed as a way to keep many safe. In the age of tension however, it is easy to see how what once protected us can now be what spurs our downfall. This is where “Descending” connects to my ramblings, as Keenan perceives our uncertainty and possible regress as a precursor to the climax of civilization. Of course, no one wants to see the climax of civilization as that would be the end of us all at our own hands. That is why MJK pleads within the song for something to change our course and “mitigate our ruin”. With the background of my interpretation explained, I will move on to an actual analysis of the lyrics.

Lyric Analysis:

As the official lyrics of “Descending” have not been released, their are some lines that are not totally clear. For this analysis I will be following the lyrics of Lyric Music Videos on YouTube who consolidated lyrics from sources such as Reddit. For the unclear words, the up-loader indicated that they gave their own interpretation. I tend to agree with what he/she understands those lyrics to be, but I will be indicating the interpretative lyrics with a *.

Verse 1:

1. Free fall through

2. Our midnight

3. This epilogue

4. Of our own fable

5. Release our slumber

6. Flowing minions*

This opening verse discusses the ending of humanity, describing armageddon as “our midnight” and an “epilogue”. The use of “our” three different times here reinforces this idea as surly Keenan means humanity and not him and a select few. Civilization isn’t going down gracefully either, as MJK describes it as a “free fall”, indicating a lack of control. We have set a course for destruction and lack the control to change it. In line 4, the use of “fable” is interesting as it could just be a synonym for story which would make sense, but could also be deeper. Fables are stories with a distinct lesson being taught, think The Boy Who Cried Wolf or The Tortoise and the Hare. Perhaps Keenan is implying that our story of growth and decline could be taught as a lesson? A lesson in what, though? That is not clear. Perhaps a lesson of indulging in our primal feelings of hate and greed only leads to eventual downfall? Line 5 is a plead for someone, maybe God or no one in particular, to “wake” us up from our metaphorical slumber. Our slumber being our free fall towards the end. Line 6 is the one line in this verse I’m not sure about, and because we do not know if “minions” is the word used, it is not worth incorporating it into our understanding of the lyrics. In pursuit of food for thought however, maybe minions refers to the common people who are unknowingly on the path to destruction?

Verse 2:

1. Free fall through

2. This boundless night

3. This nightmare

4. Of our own making

5. Lonely visage flying

6. *Lonely prison infinite*

The message of the second verse is similar to the message of the first. Humanity is on an uncontrollable path towards destruction on a road built by our own hands. On lines 5 and 6, characteristics of a broken society on the brink of collapse are given, the same society we are living in right now. “Lonely visage” implies a lonely populous and “flying” I interpret to mean in view of all. Indeed, it is no secret that within a society that boasts about connectivity brought on by technological advancements we are seeing rising levels of loneliness and unhappiness. It is implied in line 6 that the depression felt by society is infinite due to the parameters we have set on ourselves. We have created a society that breeds loneliness and sadness and yet we refuse to change it.

Verse 3:

1. Come our end suddenly

2. All hail our lethargy

3. Concede suddenly

4. To the quickened

5. Disillusion

6. Pray we

7. Mitigate this ruin

8. Calling all to walk in order

This is when things get even more interesting. MJK again discusses humanity’s end, however the use of “suddenly” twice is what separates the climax discussed in the first two verses and this one. Before, the end of civilization could have been viewed as the eventual destination of our free fall. Keenan clarifies that our end will not be one of gradual decline, but one of sudden demise. This leads me to believe that MJK thinks the end of humanity will be caused by nuclear annihilation. Which makes sense, as nothing else currently exists that is capable of destroying civilization in the matter of minutes. I would argue that we are the closest we have ever been to nuclear war, for many unstable states such as North Korea, Pakistan, and Israel all have nuclear capabilities. Continuing on, Keenan’s use of disillusion in line 5 was interesting to me. At first, I thought it was a call back to “Disillusioned”, a song by MJK’s other band A Perfect Circle. That song’s purpose is to call out people participating in the disadvantages of modern society, using disillusioned as an adjective to describe those people. While in “Descending”, the word is used as a noun to describe humanity’s demise. Same word, but used in two different ways. Lastly, in line 8, the song calls for order among society. At first glance, one might think the line asks people to fall in line and submit for the sake of humanity. However, because that goes against the “think for yourself” message conveyed by MJK throughout his career, I do not believe that is what this line means. I think this line means that we as a society have moved away from order, and have instead given into our primal feelings of fear and hatred. So we do not need to submit ourselves, but rather return to a place of civility.

Verse 4:

1. Drifting through

2. This boundless night

3. This nightmare

4. Of our own making

5. Sound our dire reveille

6. Rouse all from our apathy

7. Lest we cease to be

8. * Steer us from our *

9. Wanton slumber

10. Mitigate our ruin

11. * Call us all to laws and order *

Lines 1 through 4 of this verse are similar to previous verses and thus I have already discussed its meaning. The rest of this verse can be summarized as a plea for someone to step in and save humanity from our self-imposed destruction. That ‘someone’ is never specified, leaving it open to the reader. Maybe it’s meant to rouse the reader themselves into action? Line 6 is interesting to me, as apathetic is a valid adjective for modern society. It seems like humanity has been progressing at a steady pace over the past couple centuries and we have now reached a point where no one has a clear idea of how we should proceed. This lack of identity as a species has lead to humanity clinging on to whomever seems to have the answers. Sadly, it seems those most confident in their vision of the future tend to be demagogues more interested in taking advantage of the confusion rather then actually paving a way towards a better future. Thus, progress or those who would spur on progress, have become lethargic and apathetic.

Verse 5:

1. Sound the dread alarm

2. Futile primal body

3. Some will never be: To be or not to be

4. Rise

5. Stay the grand finale

6. Stay the reading [of] our swan song and epilogue

7. One drive, to stay alive

8. Elementary

9. Muster every fiber

10. Mobilize

11. Stay alive

Verse 5 is the last verse and is also my favorite part of the song. Lines 1 through 3 discuss a question humanity has been pondering ever since the start of civilization. It is similar to the question contemplated by Hamlet in the famous “To be or not to be” soliloquy written by Shakespeare. Hamlet debates with himself on weather it is better to ‘be’, as in stay alive and endure the pains of existence for the sake of life or to ‘not be’ where you accept the fact that death renders all things done in life inconsequential and thus you skip the hardships of life by prematurely ending your own life. In “Descending”, the question is weather it is accept an inevitable end and thus take no action to stop it, or to fight for life and actively try to save civilization. In the context of that question, this song is a rallying cry for humanity to fight for life. Of course, some will disagree and MJK fires back at that idea, comparing those who would disagree as people who would choose ‘not to be’ instead of ‘to be’. Those who would lay down and surrender humanity to destruction are submitting to primal ways of fear and are lost. We moved past our primal stage when civilization began, as to participate in a society requires us to adhere to the unnatural social contract. In order to “stay our swan song and epilogue” we must subscribe to the idea of ‘to be’. To achieve the “elementary” idea of staying alive as a society we must “mobilize” and steer ourselves back onto a path of progress and not keep on the path to self-destruction. We must stay alive.

Conclusion:

MJK has never failed to explore deep concepts, and therefore I had no doubt the new Tool songs would be interesting and full of depth. I was not wrong. The song covers a grand idea as most MJK songs do, but similarly to A Perfect Circle’s 2018 album “Eat the Elephant”, their is a twist. The concepts in these songs could be applied to any time in our history, but they seem uniquely framed in the context of post-2016 society. Thus the relevance of these messages make them feel even more important. With all the talk of humanity’s downfall, one could call MJK pessimistic and dark. Maybe he is, however, it is obvious from the lyrics that he does not want civilization to collapse and the whole point of the track is to inspire others to work towards the opposite, a better future for the human species. Is one pessimistic and dark for anticipating the end of society and actively trying to mitigate it? I think not.

Unsainted – Slipknot

Introduction:

Here it is! The second single released by Slipknot from their upcoming album, “We Are Not Your Kind”, out August 9th. Maggots knew something was coming today, for Slipknot had released a cryptic video on May 13th that included the numbers “0516”, or May 16th. Because this is on the eve of the band performing on Jimmy Kimmel, it’s safe to say we’ll see the tracks first ever live iteration tomorrow night.

Lyrical Message:

The single is called “Unsainted”, which is a fitting title for the track’s lyrical message. At first, I thought the lyrics were being directed to all religions. However, in the second verse, Corey Taylor says “You got to lie if you want to believe, but your Bibles don’t work on me”, revealing that the message is pointed at Christianity in particular. This makes sense, considering Taylor and the rest of the guys are from America (specifically Iowa), and Christianity definitely has the most influence on US society out of all major religions. As shown from the quote above, the message is not a loving one towards Christianity. The song describes Christians as “[in] denial”, “cold”, “demanding”, “myopic”, “dystopic” and indecisive. Taylor even says “You’ve killed the saint in me”, which in my interpretation, could mean that other Christians actions “killed” any chance of the singer ever becoming a Christian himself. The chorus of the song goes as follows:
“Oh, I’ll never kill myself to save my soul/I was gone but how was I to know? I didn’t come this far to sink so low/I’m finally holding on to letting go.” These four lines are stated four times throughout the song and thus encompasses the theme. My interpretation is that killing himself to save his soul is giving into Christian doctrine and changing who he is in pursuit of salvation in the after life. Corey Taylor did not become a modern day rock star, being the front man of two extremely successful bands just to “sink so low” and undermine his messages of the past two decades by giving into Christianity out of fear. This sentiment apparently has been one the singer has had to work towards, due to the use of “finally”. He is “finally” confident in who he was, is, and continue to be.

Musical Content:

Musically, it is a Slipknot style song. Although the band compared their new material to their first two albums in terms of heaviness, I feel that “All Out Life” (the first released single from their upcoming album) and especially this new track “Unsainted” are musically similar to their last two albums, 2008’s All Hope is Gone and 2014’s .5: The Gray Chapter. Some fans would consider that a negative, and although I agree with most in that early Slipknot is my favorite Slipknot, in truth the band has never released a bad album. Slipknot’s last two albums were still very enjoyable and the increase of melodies and the decrease in breakdowns are understandable as most of the band is in their forties. Despite this, there is no question that they are still metal. All lyrics, excluding the chorus, is screamed by Taylor, whose voice still sounds great. The blaring and driving guitars are still there, along with the unique but familiar percussion of Shawn Crahan and a possible new percussionist following the departure of Chris Fehn last March. Sid Wilson, the band’s DJ/turntablist, also has a distinct role in this song, with his work being heard right before the breakdown and towards the end of the track. This is a positive, as he has been less prevalent in the music as of their last two albums but helped enhance their earlier work. The use of both a female and male choir (noticeably in the beginning), worked fantastically. During my first listen, it reminded me of the intro to Bring Me the Horizon’s “Drown” but thankfully “Unsainted” went in a much better direction following the use of the choir.

Conclusion:

The hype train for Slipknot’s new album was massive following the suprise release of “All Out Life” on Halloween of 2018. The track was a staple on rock/metal radios for months and the general opinion was that it was a great song that rose expectations greatly for the new album. Well, Slipknot met those great expectations once again with “Unsainted” as the general consensus seems to be once again one of positivity and excitement. The music sounds great, Corey Taylor’s voice is as good as ever and the lyrics are deep and interesting. Add to that the confirmation of the album name, We Are Not Your Kind, and a relatively soon release date of August 9th and you have a Slipknot hype train that is not stopping anytime soon. Some say 2019 is the year of the Knot, and while it definitely could be with the fantastic new music, they’re going to have to compete with Tool and Rammstein for the 2019 title. I cannot wait to hear each bands efforts.

9/10

Like I Ain’t – Tech N9ne

Not being a huge fan of hip hop, my knowledge of the scene is lacking. However, one hip hop artist that seems to come up often among the rock scene is Tech N9ne. He has never shied away from the fact that he is a fan of rock and roll. On the contrary, he has collaborated with a plethora of members of the rock scene, notably Corey Taylor from Slipknot and Serj Tankian from System of a Down. Getting to the actual track, “Like I Ain’t” is a single off of Tech N9ne’s new album “N9NA” out April 19, 2019. Despite my attention being drawn due to the Slipknot reference in the second verse, this song is 100% hip hop. With a beat based on a drum roll that is reminiscent of a lot of modern hip hop, N9ne delivers 3 verses with background repetition to emphasis the end of multiple lines. The lyrical content can be described as a list of achievements. Although personally I have never been a fan of lyrics that stroke an ego, this track seems to be more about proving haters wrong rather than puffing himself up. N9ne brings up a lot of collaborations on this track, mentioning 2Pac, Eminem and Corey Taylor of Slipknot among others. Like I stated earlier, my knowledge of hip hop is very limited. With that in mind, to me this track sounds a lot like the popular hip hop of today but with verses that actually mean something and Tech N9ne’s rapping done skillfully. If you are a fan of hip hop, you will enjoy this track however it is nothing extraordinary.

6/10

Eat The Elephant – A Perfect Circle

A Perfect Circle’s 2018 record “Eat The Elephant” was highly anticipated, for the alternative rock band’s last album came out 14 years before hand. This was the consequence for having one of the busiest front man in rock history, Maynard James Keenan. However, the wait was worth it as “Eat The Elephant” turned out to be a fantastic album. Some APC fans were disappointed, expecting the album to continue the angst of the first two records. Although heavily distorted guitars are in short supply, angst is not, for Keenan’s lyrics song after song call out a certain group of people. “TalkTalk”, for example, calls out complacent Christians who only “talk the talk” and not “walk the walk”. “The Doomed” takes a stab at society in general, refusing the ancient ideas of violence and selfishness that have been re-surging in the world recently. Not all tracks are pointing out flaws in others however, as Keenan uses a couple tracks to introduce self-enhancing ideas to the listener. The title track, “Eat The Elephant”, emphasizes the meaning of the old saying, encouraging his fans to not hesitate in front of daunting tasks but instead to happily jump right in. The first single off the album, “Disillusioned”, encourages listeners to “put the silicone obsession down”. This is obviously a shot at society’s dependence on the shiny rectangles in our pockets. The band even took this concept further, banning all phones during their concerts until the last song of the set. In conclusion, if you were expecting heavy metal, you will be disappointed. However, if you give Billy Howedel’s exceptional guitar and Maynard James Keenan’s mystical lyrics a listen with an open mind, you will be pleasantly surprised.

8/10

High-Points:

  1. The Doomed
  2. So Long, And Thanks for All The Fish
  3. TalkTalk
  4. Hourglass

Low-Points:

  1. Delicious
  2. Feathers